Greyna turned as I drew close.
"Shereya!" She cried excitedly. "You'll never
believe it! This is why I wanted to come here—Delia is one of the
Wordspinners--a Talesmith, to be precise!"
Delia nodded as she smiled at me. I couldn't help noticing
that she didn't look so crazy now—the ferocious hive had vanished, and her
thin, silvery hair hung in graceful curves over her shoulders. There was no
missing the deft movements of her hands that bespoke exceptional skill—and then
there were the voices. Every pot and candleholder in the area positively
resonated. I had heard that the wares of a Wordspinner told stories that could
only be heard by their intended recipient, but what did it mean when I could
apparently hear all of them?
Delia took up a cloth and spread it over a pile of bowls. I
blinked as the volume of sound diminished as she did so. She nodded to me as if
she knew exactly what was happening in my head just then.
"I am sorry if I frightened you at first," Delia
said, in a smooth, even tone—quite unlike the loud, bubbly one she had greeted
us with before. "I was looking for the one who needed my story—and if you
must know, the town thinks I am crazy because I am the only woman metalworker
for miles, and yet I have no anvil."
"Not to mention she doesn't look strong enough to lift
a hammer," Belak muttered in my ear. "Wonder how she makes these
things, then? What did Greyna call her? A Talesmith? What is that supposed to
mean?"
I stepped forward to let him know I did not appreciate his
commentary. "What did she give you, Greyna?" I asked.
Greyna smiled and produced the object.
I was sorry now that I had suspected Delia based on
information from someone who did not know the truth. The oil lamp Greyna held
displayed marvelous craftsmanship: its brass surface inlaid with jewels of
superb cut, the handle nothing short of woven wires braided to simulate rivers
leading from the top to the base. It was quite possibly the most beautiful lamp
I had ever seen. Greyna was grinning from ear to ear. "She said others
might not be able to hear it, but—"
I nodded to her; I could hear the story of the lamp: how a
young woman was sorely rejected by her family but went off into the deep woods
as an outcast and met some friends who admired her for her courage and virtue
and all these qualities reaped rich rewards for her. There was no doubt that
the lamp spoke of Greyna herself.
Behind me, Belak cleared ha throat. "What are you girls
staring at?" He asked.
It took a while to tear myself away from the gorgeous lamp,
but I managed it for his sake.
"What do you mean?" I asked. "It's
beautiful."
He raised a skeptical eyebrow. "It's a lamp," he
said.
I picked up the lamp by its delicate handle, surprised at
how sturdy it was. "But it's not just a lamp, Belak," I pointed to
the fine sculpting. "It's a work of art!"
Now Belak was staring at me as if I were a crazy old lady
like everyone supposed Delia to be. I held out the lamp toward him.
"Take it," I said. "Feel how excellent the
craftsmanship!"
Belak took it, but he seemed unfazed by the dazzling beauty
before him. "I don't know what kind of crazy you three have messed
with," he said, "but all I am seeing is a plain old lamp."
I couldn't understand how he could take a position so
contrary to every other person in the room. His declaration hung in the thick
silence, which broke as Delia stirred.
"I'll just go put the kettle on," she said,
disappearing into the room at the back of the booth.
Once she was gone, I said to Belak, "Why, if we all can
see something you can't, does that make us the crazy ones? What if the
disparity is with you?"
"There's nothing wrong with me!" cried Belak.
Something behind his eyes drew me up short. The way he kept them fixed on me
with a guilty stare, as if there was something he wanted to say, but felt too
ashamed to say it.
I didn’t want those kinds of secrets between us. If we were
going to be friends, we needed to be able to trust each other.
“What is it?” I asked him. “Are you implying there is
something wrong with me?”
Belak stiffened. “You know it’s not profitable to
speculate,” he said tersely, sounding so much like my parents that I was
suddenly and violently homesick, though I did my best to hide it from Belak and
Greyna.
I wouldn’t let him see what I was thinking, but I wouldn’t
let him try and pass this off, either. Was he lying about being able to see the
beauty of the lamp? Where was the “profit” in that?
“Hello?” a voice called from the front of the shop.
“Shereya? Belak?”
“We’re back here!” I called to Larryn.
She entered, happily attired in her new dress and silk
turban. Greyna, who had missed Larryn’s shopping spree, gawked for a moment,
and then giggled. Larryn laughed too, as she sat beside her friend. The lamp
still sat in the middle of the table.
“What are we all back here for?” she asked, looking around
at the pots and kettles hanging over our heads, and the soft cushions we sat
upon around the low table.
I glanced at Belak, sitting right there beside me, and
sighed. It was time for the truth, whether he was ready to hear it or not.
“As it turns out,” I told Larryn, “Greyna discovered that
the lady who greeted us when we first arrived in town was looking for her, because she’s a Wordspinner.”
“Really?” Larryn’s eyes lit up. She had been wondering if
we’d meet another Wordspinner ever since we left Naten’s house. Larryn’s gaze
immediately fell on the contested lamp. “Is she the one who made that beautiful
lamp?”
Belak groaned, “Not you, too!”
Larryn gave me a confused look, so I said, “He thinks it’s
just a plain lamp.”
“It is just a plain
lamp!” Belak insisted, “There’s nothing exquisite about it like you all have
been saying! It’s just plain glazed earth!”
The story of the lamp grew more insistent. A girl rejected
for her plainness… a prince able to see the beauty through it all…
Belak muttered, “Wordspinner? You mean like the Inkweaver?
Is that what this is about, Shereya?”
Also from "Inkweaver":
-The Legend of The Wordspinners
-The Last Inkweaver
-What Are You Afraid Of?
-In The Inkweaver's Cottage
-The Unfinished Tapestry
-Tales of the Inkweaver: "The Three Daughters"
-In The House Of The Talesmith
-"The Invisible Gift" and "Forward Unto Danger"
-Escape From Blackrope
-The Rise and Fall of Morgianna Plontus-Byrmingham
-The Morning After
-Tales of The Inkweaver: "The Four Travellers"
-In the Court of Count Bergen
-"The Four Travellers" Part 2
-Do You See What I See?
-Welcome to Criansa
-A Nice Cup of (Honest) Tea
-Saving Margo
-Interpreting The Stone
-Confessions
-Tales of The Inkweaver: "Four Animals in Partnership"
-Tark Trades People
-"Plotting" and "Meet Tark's Crew"
-Storytime for Tark
-Tales of The Inkweaver: "The Stone in The Road"
-Moon Valley
-Writer's Eyes
Also from "Inkweaver":
-The Legend of The Wordspinners
-The Last Inkweaver
-What Are You Afraid Of?
-In The Inkweaver's Cottage
-The Unfinished Tapestry
-Tales of the Inkweaver: "The Three Daughters"
-In The House Of The Talesmith
-"The Invisible Gift" and "Forward Unto Danger"
-Escape From Blackrope
-The Rise and Fall of Morgianna Plontus-Byrmingham
-The Morning After
-Tales of The Inkweaver: "The Four Travellers"
-In the Court of Count Bergen
-"The Four Travellers" Part 2
-Do You See What I See?
-Welcome to Criansa
-A Nice Cup of (Honest) Tea
-Saving Margo
-Interpreting The Stone
-Confessions
-Tales of The Inkweaver: "Four Animals in Partnership"
-Tark Trades People
-"Plotting" and "Meet Tark's Crew"
-Storytime for Tark
-Tales of The Inkweaver: "The Stone in The Road"
-Moon Valley
-Writer's Eyes
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